Master of Music in Teaching
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Master of Music in Teaching
Explore your passions within a supportive community!
Join a community of graduate students while studying with professors with expertise in songwriting, informal music learning, Music Learning Theory, musical creativity and democracy in ensembles, quantitative and qualitative research methodologies, and musical development in early childhood through adolescence.
Follow your own passions by choosing one of two tracks: PROFESSIONAL or RESEARCH.
Competitive teaching assistantships and tuition funding are available.
Students are required to complete 32 credit hours (maintaining a cumulative grade point average of B or better) to be granted the degree Master of Music: Teaching. During their first year of study, students will choose to pursue either the PROFESSIONAL or RESEARCH track. Their choice will determine the type of culminating project they complete.
Before their capstone project, all students take the following courses:
- Music Education Research
- History and Philosophy of Music Education
- Music Education Seminars such as:
- Curriculum
- Music Learning Theory
- Informal Learning in Music Education
- Narrative Research in Music Education
- Music in the Lives of People
- Sociology in Music Education
- Music History
- Advanced Analysis and Interpretation (Music Theory)
- Ensemble Performance (e.g., Choir, Band, Orchestra)
- Electives such as:
- Courses outside of the music department
- Additional Music Ensembles
Students enrolled in the Master's Degree in Music (MM) with a Teaching Concentration complete a capstone project during their second year of study. Depending on the track a student selects (PROFESSIONAL or RESEARCH), they will complete a Master's Thesis (RESEARCH TRACK) or a Professional Development Project (PROFESSIONAL TRACK).
Example projects from previous students were entitled:
- Including Students with Physical Differences in Secondary Instrumental Music: An Instrumental Case Study
- From Inception to Proficiency: A Choral Program Designed for the Culture of Malawi, Africa
- Exploring Gender and the Lived Experiences and Singers in a Treble Choir: An Instrumental Case Study
- Identity Development in Former Music Educators
- Secondary Music Teachers' Self-Efficacy in Teaching Songwriting
- Life Preparedness for Music Majors: An Approach to Life and Career Readiness
- Facilitating Songwriting With Second-, Third-, and Fourth-grade Students
- Improvisation in the Beginning Choral Rehearsal
- Examining the Perspectives of Three Influential Feminist Music Education Scholars
Students who receive Teaching Assistantships in Music Education receive a wealth of hands-on teaching experiences. Students frequently work with undergraduate music education classes such as Elementary General Music Methods and Materials, Secondary General Music Methods and Materials, Elementary Instrumental Methods and Materials, Secondary Instrumental Methods and Materials, Musicianship for Teaching, Freshman Seminar in Music Education, Music Education Student Teaching Seminar, Secondary Choral Methods and Materials, and Instrumental Methods courses. Graduate Teaching Assistants gain experience mentoring preservice teachers and observing students teaching in local elementary, middle, and high schools.
Each year, some graduate students teach courses such as Creative Sound Design, University Strings, Instrumental Methods, and more.
Music Education Faculty
Duane Cottrell
Office:
307 Amy E. du Pont Music Building
Heidi Lucas
Coordinator of Instrumental Methods
Office: 323 Amy E. duPont Music Building
Aimee Pearsall
Director, Concert Choir
Office: 313 Amy E. du Pont Music Building