Resound - ACDA National Conference

American Choral Directors Association

2025 National Conference
March 19 – 22, 2025
Dallas, TX 

Program

 

I’ll Make It!

 

Again I Say Rejoice

Israel and New Breed

I know Something About God’s Grace

Patrick D. Bradley

I’ll Make It

Hezekiah Walker

God Is on Our Side

Andrae Crouch

My Life, My Love, My All

Kirk Franklin

Clap Your Hands

Patrick Riddick

View texts

PROGRAM NOTES

 

Dear Choral Enthusiasts,

Gospel music is a reflection of endurance, resistance, and collective hope. It is a tradition born out of struggle, shaped by resilience, and carried forward by the unwavering belief in the power of community. Rooted in the principles of Black Liberation Theology, gospel is more than a genre—it is a voice for justice, an assertion of dignity, and a declaration that Black lives, stories, and artistry matter. In keeping with this year’s ACDA National Conference theme—“Past, Present, Future”—this program highlights gospel’s historical significance, its relevance today, and its continued evolution as a vital part of choral music.

From the celebratory drive of “Again, I Say Rejoice” to the deep assurance of “I Know Something About God’s Grace,” this program embodies gospel’s dual nature: both a balm in times of struggle and a call to action. The cornerstone piece, “I’ll Make It,” is more than just a personal affirmation—it speaks to the perseverance of generations who have fought for equity and justice. It echoes the central tenet of Black Liberation Theology: that faith is not a passive waiting, but an active pursuit of freedom and transformation. “God Is on Our Side” extends this message beyond any single community, reminding us that the fight for justice is not solitary but collective, and that history bends toward those who refuse to be silenced. Closing with “Clap Your Hands,” we celebrate the joy, movement, and communal power that gospel music continues to inspire.

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In a time when histories are being erased, progress is being challenged, and systemic inequities persist, the resistance of gospel music is more necessary than ever. More than a historical artifact, gospel is a living tradition—one that carries the past forward, fuels activism in the present, and demands a more just future. It is an honor to share this music on the national stage, where choral musicians from across the country gather not just to sing, but to reflect, challenge, and create change.

We extend our deepest gratitude to Dr. Danny Stevens, Interim Director of the University of Delaware School of Music; Dr. Paul Head, Director of Choral Studies; Dr. Aimee Pearsall-Kramer, Associate Professor of Music Education; Tamara Smith, Business Administrator; ACDA and Elevate Vocal Arts for this invitation; Robyn Hilger, Executive Director of ACDA; and Dr. Edie Copley, ACDA Vice President and visionary of this conference. Their leadership and support have made this moment possible.

As we sing today, we honor the voices that have shaped this tradition, we recognize the work still to be done, and we affirm gospel music’s place in the music academy and the ongoing movement for justice, equity, and artistic excellence.

Yours,

Arreon A. Harley-Emerson

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OUR MUSICIANS

 

Vocal Artists  

Anthony Adamo

Mia Rose Alexander

Rose Elizabeth Alsleben

Scott Andrews

Emily Bachl

Briarra Barnes

Scarlett Rose Bottone

Khyla Brooks

Jessie Crain

Carly Curtiss

Kalina Dolan

Matthew Douglass

Isaac Judah Everett

Sheyenne Faircloth

Amenah Ghani

Alondra Gonzalez

Salem Goss

Kaia Griffin

Christie Gustin

Kass Guzman-Martinez

Madisyn Hayward

Kell Irwin

Bri Keller

Raelyn Luft

Gia Madaio

Amalia Messick

Hailey Morath

Cyarra Ortiz

Alex Ross

William Schwantes

Carson Stadler

Mei Tobin

Isabell Villa

Meaghan Walsh

Melody Wilt

Angelina Xu

 

Collaborative Keyboardist
Martha De Luna Mateo

Director
Arreon A. Harley-Emerson

 

About Resound

Resound is the University of Delaware’s choral ensemble devoted to the performance of music from the Black Diaspora. Launched in spring 2023, Resound was founded under the leadership of its appointed founding director, Arreon A. Harley-Emerson. While gospel music and its unique performance practice are central to the ensemble’s identity, Resound also performs a diverse array of sacred and secular works composed by Black composers, celebrating the depth and breadth of this rich musical heritage.

 

Resound is an inclusive and welcoming community, open to all University of Delaware students regardless of academic major, race/ethnicity, faith, or other identities. The ensemble embraces the philosophy of radical hospitality, fostering an environment where singers are encouraged to engage deeply with the music and with each other. Much of the repertoire is learned through the aural/oral tradition, without reliance on sheet music, allowing students to authentically experience musical practices beyond the Western Classical tradition. Through this approach, Resound emphasizes musical authenticity, cultural understanding, and the joy of shared artistry.

 

More than just a choir, Resound is a joyful and dynamic choral community, dedicated to meaningful storytelling through song and to honoring the voices and contributions of Black composers. By centering the traditions of the Black Diaspora, Resound creates space for both historical reflection and contemporary expression, ensuring that this music continues to inspire, uplift, and resonate for generations to come.

TEXTS

 

Again I Say Rejoice | Israel and New Breed

Come bless the Lord, come bless the Lord

Draw near to worship Christ the Lord

And bless His name, His Holy name

Declaring He is good

Rejoice in the Lord always

And again I say, and again I say

Rejoice in the Lord always

And again I say, and again I say

Rejoice

O that men would praise His Name

Praise His name to the ends of the Earth

 

I know Something About God’s Grace | Patrick D. Bradley

know something about God's grace 

It could've been me

with no food to eat

it could have been me

with no place to sleep

but for the grace of God


One witness, everybody oughta testify

that you couldn't have made it

without the grace of God

 

I’ll Make It | Hezekiah Walker

I was down to my last dime

But Jesus stepped in right on time

I sure been sick and I couldn't get well

When He healed my body and I can tell that it's

 

Alright now

Think I'll make it

Anyhow

 

I was lost without a friend

Then I met Jesus and He took me in

In all of your temptation, He'll keep the faith

He already planned a way for you to escape

 

Through your trouble and through your pain, you better believe

(You can believe that it's alright)

Don't you stop shoutin', don't you stop praying, you better believe

(You can believe that it's alright)

I’ll make it

 

God Is on Our Side | Andraé Crouch

We live in troubled times

Seems like the sun won't shine

When will we realize

God is on our side

 

He hides us in his arms

Protecting us from harm

It's good to realize

God is on our side

 

Nothing can separate

He gives us strength to take

All that this world may bring

God is on our side

My Life, My Love, My All

My hands were made

To worship you

My heart, my King

It beats for you

 

Oh Lamb

So true

I surrender to you

 

My life (I give you)

My love (I give you)

My all (All)

 

Your touch, your kiss

Your grace to me

Is deeper than my soul can see

My purpose it changed

When I called out your name

 

My past has been erased

With just one touch from you

My clouds, my rain

My pain has changed

Your blood has made me new

 

And when this world

Has come to end

And paradise with you begins

Well done you'll say

When I see your face

 

Clap Your Hands | Patrick Riddick

Clap your hands all ye people

Shout unto God with a voice of triumph

Clap your hands all ye people

Shout unto God with a voice of triumph

For the Lord most high, is over all the earth

For the Lord most high, is over all the earth

For the Lord most high, is over all the earth

Shout unto God with a voice of triumph

Clap your hands

Stomp your feet

Lift your voice

Let’s rejoice

 

As Interim Director of the University of Delaware School of Music, I am thrilled to introduce the UD Resound Gospel Choir, led by Professor Arreon Harley-Emerson, at this year's national ACDA conference! I congratulate the members of UD's newest choral ensemble on their ACDA debut. As a featured ensemble in the Bent but Not Broken 3.5 preconference event, Resound will deliver powerful renditions of music from the African diaspora. Their stirring performances are sure to move both heart and mind, just as they do mine. I hope every attendee leaves inspired and equipped to explore the rich tradition of Gospel music more deeply.
 

Daniel Stevens
Interim Director, School of Music
University of Delaware

Headshot photo of Danny Stevens
Daniel Stevens, Interim Director, School of Music

It is a privilege and an honor to send my heartfelt enthusiasm for Resound’s premiere performance on an ACDA conference event. Under the capable and creative leadership of the almost Dr. Arreon Harley-Emerson, this ensemble has emerged as a dynamic force within the University of Delaware School of Music and throughout the Mid-Atlantic region as well.

Professor Harley-Emerson’s association with UD has been extensive and impactful, most recently in his role as associate conductor of the internationally award-winning Delaware Choral Scholars. With the founding of the Resound Gospel Choir in spring 2023, he not only enriches our choral education and performance programs, but also brings vast expertise in repertoire and performance practice, along with innumerable resources for personal growth, to every singer and audience member fortunate enough to experience his work. I am confident that will be evident in today’s landmark performance of this outstanding choral ensemble. My colleagues and I could simply not be more proud of this momentous occasion.

 

Paul D. Head, DMA, MM, BA
Unidel Distinguished Professor of Director Choral Studies
ACDA Eastern Region Past President

Headshot photo of Paul Head
Paul Head, Unidel Distinguished Professor of Director Choral Studies

The University of Delaware offers a dynamic and comprehensive choral studies program, preparing students for professional careers in music while fostering artistic excellence, community engagement, and global perspectives. With six premier ensembles, UD’s choral program provides a breadth of experience in choral artistry, offering students the opportunity to explore classical masterworks, contemporary compositions, gospel, vocal jazz, and world music traditions. UD’s choral ensembles have a distinguished history of international tours, professional recording projects, and performances at major conferences such as ACDA’s national and regional conventions.

Students have the opportunity to perform in six premier choral ensembles, each offering a unique musical experience. The internationally acclaimed UD Chorale has established a reputation for excellence through competitive performances and global collaborations. Schola Cantorum, the university’s symphonic choir, regularly performs major choral-orchestral works in partnership with professional ensembles. The Jazz Singers explore the complexities of vocal jazz, while Concert Choir and University Singers provide inclusive and diverse choral opportunities for students from across disciplines. Resound, the university’s newest ensemble, is devoted to the performance of music from the Black Diaspora, with an emphasis on gospel music, reflecting UD’s commitment to diverse and inclusive choral traditions.

Additionally, students have the opportunity to audition for the Delaware Choral Scholars (DCS), a highly selective, elite choral ensemble that brings together the finest vocalists from UD and beyond for intensive, world-class choral experiences. In July 2024, DCS earned the No. 1 ranking in the world after winning four gold medals at the World Choir Games in Auckland, New Zealand. Under the leadership of Dr. Paul D. Head, DCS has performed in prestigious international competitions, festivals, and collaborations with world-renowned choral organizations, solidifying UD’s reputation for excellence on the global stage.

Whether pursuing a degree in music education, performance, or composition, choral students at UD receive a superior choral education under the mentorship of leading faculty who are active as professional conductors, clinicians, presenters, and researchers. With a strong emphasis on artistic excellence, diverse repertoire, and professional development, UD’s choral program equips graduates with the skills, experiences, and connections to thrive in today’s choral landscape.

Click here to learn more about choral studies at UD.

Concert by the UD Chorale and a celebration of Dr. Paul Head’s 25th anniversary with the University.

Arreon A. Harley-Emerson
 

Headshot photo of ArreonArreon A. Harley-Emerson, a visionary in the choral arts ecosystem, is the CEO & Artistic Director of Elevate Vocal Arts (EVA). EVA, under his leadership, is dedicated to creating and expanding professional and creative workforce development opportunities for vocal artists from all backgrounds. Mr. Harley-Emerson’s unique commitment to engaging individuals from historically marginalized communities and musical traditions sets EVA apart. The Vocal Artists of EVA use music, storytelling, and spoken word to address contemporary issues, strengthening our communities and democracy.

Mr. Harley-Emerson, an experienced arts administrator and conductor, graduated from Goucher College in Baltimore, Maryland, with bachelor’s degrees in Music Theory & Composition and Vocal Performance (opera). His studies included piano with Dr. Lisa Weiss, voice with Mrs. Betty Ridgeway, and conducting with Dr. Elisa Koehler. He furthered his education with master’s of music degrees in Choral Conducting and Vocal Performance from the University of Delaware School of Music, studying under Dr. Paul Head and Dr. Noël Archambeault. Currently a doctoral candidate and university fellow at the Boyer School of Music and Dance at Temple University in Philadelphia, Mr. Harley-Emerson has had the privilege of conducting in prestigious venues such as St. Peter’s  Basilica in Vatican City, the Kimmel Center for the Arts in Philadelphia, and the Joseph Meyerhoff Symphony Hall in Baltimore.

Mr. Harley-Emerson has held several teaching and artistic director positions. He served as Director of Music and Operations of the Choir School of Delaware from June 2013 through December 2022. In this position, he was responsible for the musical components of the renowned Choir School program and served as Executive Director, managing the organization's day-to-day operations. An avid researcher and presenter, Mr. Harley-Emerson has contributed a chapter to The Oxford Handbook for Choral Pedagogy entitled “The Gang Mentality of Choirs: How Choirs Have the Capacity to Change Lives.” He presented a TEDx Talk that bears the same title. Mr. Harley-Emerson founded Bent But Not Broken, a four-day music conference amplifying Black choral musicians' musical contributions and accomplishments across time and genres.

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Committed to the principles of  Access, Diversity, Equity, Inclusion, Belonging, and Restorative Practice (ADEIBR), Mr. Harley-Emerson has established a thriving consultancy, Equity Sings, to assist arts and culture nonprofit organizations in remaining relevant in the 21st century. His work includes longitudinal studies, strategic planning, Board Excellence training, resource and asset development, and board diversification. Mr. Harley-Emerson is the National Chair of the American Choral Directors Association’s Diversity Initiatives Committee. In addition to conducting and performing classical and operatic works, Mr. Harley-Emerson is an avid lover of musical theater. You can find him indulging in his true passion—potatoes—when not performing! He has never met a potato that he did not eat!

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Martha De Luna Mateo

 

Martha DeLuna photo headshot

Martha is a multifaceted musician and creative artist whose talent and virtuoso playing are incomparable. Professionally, she's a composer, orchestral/choral conductor, pianist, harpist, organist, and singer; however, she also plays many other instruments as an amateur. Martha began her musical studies in San Pedro de  Macoris, Dominican Republic, and it was in her church where she developed a deep love for sacred music to praise God and share his message of love. For this reason,  sacred music is the most important part of her musical career. She completed undergraduate studies in piano and harp in the Dominican Republic and Puerto  Rico and has three graduate degrees from Stephen F. Austin State University (a MM  in piano, a MM in harp, and a MM in choral conducting). She has won top prizes and awards for her piano performances in the Dominican Republic and the USA.  Her compositions have been performed in The Vatican, the Dominican Republic,  Cuba, Canada, and the USA, and her improvisational skills are breath-taking.  Martha is the only professional musician who has performed a harp concerto and a piano concerto in the same concert with the top symphony orchestra from the  Dominican Republic, and she was chosen to play her piano composition  "Celebration" at the Super Bowl Houston Live 2017. She has performed with the  Newark Symphony Orchestra, and currently is a collaborative pianist for the  Resound Choir at the University of Delaware. She is the music director and parish administrator at St. Barnabas Episcopal Church. Martha began the concert series at  St. Barnabas’ Episcopal Church in Wilmington, Delaware, where she performs her own compositions, improvisations, and arrangements, plus works by other classical composers. Martha recently performed at the Kennedy Center in Washington, DC.