ARTH232
The Art of
the Conquest
Required readings
á Bailey:
70-108, 208-260
Important names & terms
á Tequitqui
art, Mestizo art, artistic syncretism
á Amantecas,
tlacuiloque
á Open
air churches: open chapel, posa chapels, atrium cross
á
Anonymous, The
Miraculous Mass of St. Gregory, 1539. Feather painting from the School of San
JosŽ de los Naturales, Mexico City.
á
Juan Baptiste Cuiris, Virgin Mary,
c. 1550/80. Feather painting from P‡tzcuaro, Michoac‡n (Mexico).
á
Anonymous, Amantecas
(Featherworkers) at work, illustrations from the Florentine Codex, fol.
371v-375 r.
á
Pedro de Gante, Page
of Testerian Catechism, 1525-8
á
Guam‡n Poma de Ayala, Nueva Cor—nica y Buen
Gobierno, 1613-15:
o
Rich
Imperial City of Potos’
o Artisans
á
Anonymous, Kero, late
16th-17th century.
á
Anonymous, The
Virgin Mary of the Cerro Rico of Potos’, 18th century.
á
Diego de ValadŽs, Ideal
Franciscan mission in New
Spain, engraving from Rhetorica Christiana, 1579
á
Plan,
Franciscan Mission Church of Tepeapulco (Mexico), mid to late 16th
century
á
Plan,
Augustinian Mission Church of Copacabana (Bolivia), 1614-40
á
Posa
chapel, Franciscan Mission Church of Calpan (Mexico), mid to late 16th
century
á
Atrium
cross, Franciscan Church of Tepeyac (Mexico), late 16th
century
á
Juan Gerson, NoahÕs
Ark, 1562. Detail of choir-loft paintings at the Franciscan mission church
of Tecamachalco, Mexico
á
Anonymous, Battle of Indigenous
Warriors,
1570s. Mural paintings of the Augustinian mission church of Ixmiquilpan, Mexico
á
Anonymous, The
Garden of Paradise, mid-16th cent. Mural paintings of the
Augustinian mission church of Malinalco, Mexico (detail)
á
Franciscan
mission church of Acoma, New Mexico (USA), 1629-44