ARTH218


Mannerism in Ducal Florence

 

         Mannerism is the name given to the stylistic phase in the art of Europe between the High Renaissance and the Baroque, covering the period from c. 1510–20 to 1600.

 

         The word ‘maniera’ was first applied to the visual arts in 1550 by Giorgio Vasari. He wrote of the ‘maniera’ of Michelangelo, which deeply influenced later 16th-century art. This gave rise to the modern concept of Mannerism as a description for the style of the 16th century.

 

         Although 16th-century artists took the formal vocabulary of the High Renaissance as their point of departure, they used it in ways that were diametrically opposed to the harmonious ideal it originally served.

 

         The formal language of Mannerist art is characterized by:

 

§         “Anti-classicism” a deliberate breaking of rules

 

§         Optical suggestion of movement through the use of the figura serpentinata

 

§         Treatment of space that defies High Renaissance clarity

 

§         Focus on spiritual intensity, even at the expense of the distortion of the human figure

 

§         Emphasis on artifice, to the detriment of a clear reading of the subject matter

 

 

Required readings
·        Murray, p. 99-107, 144-170

  

Important names and terms

·        Mannerism

·        Cosimo I de’ Medici, Grand Duke of Tuscany

  

Study Images

·        Andrea del Sarto, Madonna of the Harpies, 1517

·        Andrea del Sarto, The Last Supper, 1520-25, Convent of San Salvi, Florence

·        Andrea del Sarto, The Holy Family, c. 1529

·        Pontormo, Deposition, c. 1528, Cappella Capponi, Santa Felicità, Florence

·        Pontormo, Visitation, 1528-9

·        Pontormo, Martyrdom of the Theban Legion, c. 1528/29

·        Rosso Fiorentino, Madonna and Child with Saints, 1518

·        Rosso Fiorentino, Descent from the Cross, 1521

·        Rosso Fiorentino, Moses defening the daughters of Jethro, c. 1523

·        Agnolo Bronzino, Ugolino Martelli, c. 1535

·        Agnolo Bronzino, Eleonora de Toledo with her son Giovanni de’ Medici, 1544-5

·        Agnolo Bronzino, Cosimo I de’ Medici in armour, 1545

 

Additional Images

·        Polykleitos, Doryphoros (Spear Bearer), c. 440 B.C.

·        Hagesandros, Polydoros, and Athenodoros of Rhodes, Laocoön, c. 20 BC to AD 20

·        Leonardo da Vinci, Battle of Anghiari, c. 1503-5

·        Michelangelo, Study for the Battle of Cascina, 1505

·        Michelangelo, Medici Chapel, San Lorenzo, Florence, 1519-1534

 

Additional Resources

·        The Medici and Palazzo Vecchio: the Florentine republic and ducal Florence [videocassette]. New York: ENAP/Treccani,  c1990

[Media Library VHS 1537]