ARTH218

The Crisis of the Image

 

“I shall give you a piece of good advice. Shun the works of art, which are counted among the riches of the world. Today they are invented for churches with such art and at such expense that they eclipse the light of God, [tempting us] to contemplate in them not God but art.”

Girolamo Savonarola, 1497

 

“The fact that we have images in our churches is … against the First Commandment: ‘Thou salt not have strange gods.’ That carved and painted idols should stand on altars is still more damaging and devilish… Churches are houses in which God alone should … be worshiped. Why have we had images painted with satin and damask… and adorned them with gold crowns? … Statues are hideous, and it follows that we become hideous if we love them.”

Andreas Karlstadt, 1522

 

“The chief purpose of the Christian artist… is to attain divine grace by means of his industry and skill… In the case of the work, … its purpose is not exhausted by the usual resemblance to its object … but serves the higher purpose of contemplating the eternal splendors in an act of virtue, to lead people away from vice and to the true cult of God… in which function, images as the subject of the outward cult must be distinguished from the inward cult… Thus, while our corporeal eyes gaze at the image, our mind rests upon the object of the depiction.”

Gabriele Paleotti, 1582

 

Assigned readings

·         Partridge, p. 9-17, 56-9, 78-101, 136-143

 

Important names and terms


·         Protestant Reformation (starts in 1517)

·         Martin Luther

·         Iconoclasm

·         Counter Reformation

·         Inquisition

·         Council of Trent (1545-1563)

·         Society of Jesus (Jesuit Order)


 

Study Images

·         Raphael, Madonna of Foligno, 1511-12

·         Raphael, Sistine Madonna, 1513-14

·         Titian, Assumption of the Virgin, 1516-18

·         Correggio, Assumption of the Virgin, 1526-30, Parma Cathedral

·         Parmigianino, Madonna and Child with St Jerome,  1527

·         Michelangelo, Last Judgment, 1534-41, Sistine Chapel, Vatican, Rome

·         Paolo Veronese, The Marriage at Cana, 1563

·         Paolo Veronese, Feast in the House of Levi, 1573

·         Tintoretto, The Last Supper, 1592-94

·         Jacopo Vignola, Il Gesù, begun 1568 (plan)

 

Additional images

·         Lucas Cranach the Elder, Allegory of Law and Grace, c. 1530

 

Additional resources

·         Visit the Metropolitan Museum of Art’s website section on “The Reformation