The LP record 'BEATLES FOR SALE' was issued in December, 1964. In the weeks before Christmas copies passed over the disc-store counters at such a remarkable rate that 'BEATLES FOR SALE' became one of the world's fastest-selling albums.
Among the fourteen titles were three Lennon-McCartney compositions which the four boys had recorded with a new single in mind. This trio of potential chart-toppers has been preserved inside the EP sleeve you're holding. Individually, any one of them might have become a multi-million seller on the top deck of a single. The fourth number selected for this EP programme has proved its popularity in public performance. Rock and Roll Music has been a Beatles show-stopper ever since John, Paul, George and Ringo put it into their act on the opening night of their Christmas stage presentation at Hammersmith.
John sings Rock and Roll Music. It comes from Chuck Berry's volatile repertoire and it's ideal material for a typically-Lennon vocal rave. The hint of echo on his voice gives the performance added impetus. Producer George Martin joined John and Paul at a piano to add the pounding keyboard sequences.
Eight Days a Week combines the voices of John and Paul with George joining them here and there. Many pop recordings feature a fade-away finish. The Beatles, noted for their attention to ingenious introductions, arranged for this number to fade in, which must have confused some of the folk who put on records for radio deejays!
No Reply wastes no time in coming to the boil. Twin voices powered by John Lennon hammer out the opening lyrics without trace of an introductory guitar. This is another Lennon specialty, tailored to bring out the leathery quality of his vocal delivery. Paul is with him occasionally on this track and George is added for each chorus.
I'm a Loser is the one everybody has been talking about. It demonstrates the powerful influence which Bob Dylan's style has had on John, whose collection of Dylania---albums and sets of lyrics---swells week by week. Paul is involved in parts of the vocals action here but it is John's singing which makes the track so special.
Last modified: January 11, 1995